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Il rilievo alla fine dell’Ottocento era collocato sulla controfacciata della Collegiata entro un tabernacolo in pietra oggi perduto, che gli Ispettori dei Monumenti del Regno d’Italia non esitavano a definire «grandioso». L’impressione suscitata dall’insieme, oltre che dalle dimensioni, poteva derivare dall’impiego del vocabolario architettonico classico, che Mino doveva aver appreso fin dalla sua giovinezza nella … Continued
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Il fonte fu eseguito per l’ambiente che attualmente lo ospita, la piccola cappella destinata a fungere da Battistero. Secondo quanto si legge nell’iscrizione dedicatoria incisa sul basamento, lo straordinario manufatto fu donato da Antonio di Giovanni della famiglia Giachini (il cui stemma compare al centro della pedana) non appena nominato rettore della cappella battesimale di … Continued
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Il dipinto fu eseguito per la piccola chiesa dedicata a san Giovanni Battista, situata accanto alla pieve che, congiunta a questa nel 1464, venne poi adibita a Battistero. Nel 1946 l’affresco fu staccato e collocato su un telaio e infine, nel 1990, è stato risistemato nel luogo di origine. Masolino, con ogni probabilità, dipinse l’opera … Continued
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L’iscrizione che corre sul basamento della statua indica l’anno in cui essa fu realizzata, il 1455, e la committente, Monna Nana di ser Michele Tocci da Vinci, che la richiese per la chiesa di Santa Croce a Vinci. Da lì l’opera fu successivamente trasferita, per volontà della stessa committente, nella Collegiata empolese. Viene ricordata, nel … Continued
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Al momento dell’ingresso in collegiata, alla fine dell’Ottocento, questo rilievo era inserito nell’edicola robbiana conservata nel Museo secondo un gusto collezionistico tipico di quel momento che tuttavia non rifletteva la sistemazione originaria. Restaurato al tempo del riordino del Museo del 1956, è stato collocato nella posizione in cui oggi si osserva nel 1990. La scultura … Continued
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Questi frammenti di formato allungato, con le relative sinopie, provengono dal sottarco della cappella della Purificazione nella chiesa degli Agostiniani, dove lo Starnina dipinse il ciclo con le Storie della Vergine entro il 1409, su commissione della Compagnia della Nunziata della Veste Nera. Nascosti sotto lo scialbo eseguito in occasione dei rinnovamenti settecenteschi della chiesa, … Continued
Empoli Musei
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