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L’iscrizione fornisce l’autore e la data di questa tavola proveniente dall’oratorio di San Tommaso presso San Donato in Greti, sottoposto al capitolo empolese. Spostata in Collegiata alla fine del Settecento entrò a far parte della raccolta museale sin dalla sua apertura. La composizione, orchestrata secondo gli schemi della pittura ispirata alle istanze di decoro e … Continued
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Il mediocre livello del dipinto, improntato ad un devoto sentimentalismo, rende plausibile l’attribuzione a suor Plautilla Nelli, esponente della variante più rigorosa e bigotta della pittura controriformata a Firenze.
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Questo piccolo dipinto è probabilmente un ex voto, proveniente dal soppresso monastero femminile di Santa Croce. Di qualità piuttosto modesta è significativo più che altro come testimonianza devozionale.
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Il dipinto proviene dalla Cappella dedicata ai santi Stefano e Noferi in Collegiata, di patronato Ronconcelli. La tavola, pur essendo assai rovinata, risulta tra le più felici di questo artista, attivo perlopiù in terre di provincia. L’opera restituisce tratti di estrema gradevolezza soprattutto nel paesaggio da favola, dipinto nei toni dell’ocra e del turchino, che … Continued
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Il tabernacolo viene ricordato nel 1819 presso il pulpito della Collegiata lì trasferito, con ogni probabilità, dalla cappella gentilizia dei committenti, i da Empoli, sempre nella stessa chiesa. I da Empoli erano patroni dell’antico e oggi scomparso spedale di Pietrafitta, in prossimità di Pontorme. Secondo le fonti, il loro stemma – uno scimmiotto rampante in … Continued
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Il gruppo scultoreo, inserito in una edicola incorniciata da lesene con panoplie all’antica, era collocato all’esterno del Palazzo Pretorio empolese ed è collegato a un episodio di particolare rilevanza nella storia della città. Le cronache locali narrano infatti che nel giorno del Corpus Domini del 1518, durante la processione, Zaccaria d’Isacco – ebreo e prestatore … Continued
Empoli Musei
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