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L’iscrizione fornisce l’autore e la data di questa tavola proveniente dall’oratorio di San Tommaso presso San Donato in Greti, sottoposto al capitolo empolese. Spostata in Collegiata alla fine del Settecento entrò a far parte della raccolta museale sin dalla sua apertura. La composizione, orchestrata secondo gli schemi della pittura ispirata alle istanze di decoro e … Continued
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Il mediocre livello del dipinto, improntato ad un devoto sentimentalismo, rende plausibile l’attribuzione a suor Plautilla Nelli, esponente della variante più rigorosa e bigotta della pittura controriformata a Firenze.
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Questo piccolo dipinto è probabilmente un ex voto, proveniente dal soppresso monastero femminile di Santa Croce. Di qualità piuttosto modesta è significativo più che altro come testimonianza devozionale.
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Il dipinto proviene dalla Cappella dedicata ai santi Stefano e Noferi in Collegiata, di patronato Ronconcelli. La tavola, pur essendo assai rovinata, risulta tra le più felici di questo artista, attivo perlopiù in terre di provincia. L’opera restituisce tratti di estrema gradevolezza soprattutto nel paesaggio da favola, dipinto nei toni dell’ocra e del turchino, che … Continued
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Il tabernacolo viene ricordato nel 1819 presso il pulpito della Collegiata lì trasferito, con ogni probabilità, dalla cappella gentilizia dei committenti, i da Empoli, sempre nella stessa chiesa. I da Empoli erano patroni dell’antico e oggi scomparso spedale di Pietrafitta, in prossimità di Pontorme. Secondo le fonti, il loro stemma – uno scimmiotto rampante in … Continued
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La tavoletta potrebbe aver costituito uno degli arredi della Compagnia della Croce, in Collegiata, andato distrutto durante l’ultimo conflitto. Inginocchiati ai piedi della croce, in una composizione dal taglio volutamente arcaico, sono disposti i confratelli, intabarrati nell’abito a sacco, con la caratteristica buffa, il flagello annodato ai fianchi e con il segno evidente della croce, … Continued
Empoli Musei
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This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
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Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
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Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to empolimusei@comune.empoli.fi.it