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I due pannelli cuspidati mancati della tavola centrale figurano tra le prime opere giunte in Pinacoteca e furono eseguite da Scolaio di Giovanni, uno degli «sventati calligrafi» rimasti impermeabili, tranne per alcune riprese superficiali, alle novità rinascimentali e fedele imitatore dei modi dello Starnina. Il trittico era destinato alla cappella di Sant’Ivo, fondata nel 1424 … Continued
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I tre pannelli hanno avuto una diversa vicenda collezionistica che li ha portati, in tempi diversi, nella raccolta empolese. I quattro santi laterali furono collocati sin dall’Ottocento nel Museo mentre la Madonna, rimasta in chiesa, vi giunse solo alla metà del Novecento. Allo stato attuale degli studi si è propensi a ritenere di mano di … Continued
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Il trittico rappresenta un testo fondamentale per comprendere gli esiti della pittura fiorentina nei primi anni del Quattrocento. La data 1404, che compare nello scomparto centrale, è la stessa in cui il monaco camaldolese eseguiva la Pietà del Museo dell’Accademia di Firenze un dipinto che, diversamente da quello empolese, risulta ancora fortemente intriso della cultura … Continued
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La statua è uno degli esiti più alti di Francesco di Valdambrino, scultore che aveva esordito alla fine del Trecento tra Pisa e Pistoia e la cui inclinazione al naturalismo derivava dallo studio di Nino Pisano capace, a detta di Vasari, di «cavare la durezza de’ sassi e ridurgli alla vivezza delle carni» prima della … Continued
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Nel 1423 l’Ospedale di Santa Maria Nuova a Firenze si rivolse a Arcangelo di Cola da Camerino per la realizzazione di un polittico che la pia istituzione fece dipingere per soddisfare il lascito testamentario di Simone di Guiducci da Spicchio e destinato alla cappella di San Leonardo nella Collegiata di Empoli. A causa dell’improvvisa partenza … Continued
Empoli Musei
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To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email empolimusei@comune.empoli.fi.it
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
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We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to empolimusei@comune.empoli.fi.it