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Il polittico è pressoché integro, mancando unicamente della cuspide centrale dove probabilmente era effigiato un Padre Eterno benedicente. La foggia semplificata, coi personaggi affacciati a mezza figura dalle nicchie cuspidate, riprende una tipologia in voga agli inizi del Trecento. I santi hanno forme ampie e solide e la loro fissità, rigida, conferisce monumentalità all’insieme. L’opera, … Continued
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La piccola ancona era parte del patrimonio del monastero femminile benedettino di Santa Croce e risulta inventariato in pinacoteca nel 1863. Nella tavola centrale la Madonna, adorata da un corteggio di angeli, volge lo sguardo al bimbo, mentre lo sta allattando. Gesù, dal cui collo pende un pendaglio di corallo, stringe tra le mani un … Continued
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I due frammenti furono scoperti nel 1943 sotto il pavimento della cappella della Santa Croce, detta anche di Sant’Elena, nella chiesa di Santo Stefano degli Agostiniani. Pazientemente ricomposti, furono collocati in Pinacoteca in occasione del riordinamento del 1956. Erano parte di un ciclo abbattuto e utilizzato come materiale di riporto per l’impiantito della cappella, rinnovata … Continued
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La Madonna col Bambino, proveniente dalla chiesa di Santa Cristina a Pagnana, è l’elemento centrale di un piccolo polittico, disperso. Fu dipinta da Mariotto di Nardo nel 1393; il taglio a mezza figura dei personaggi riprende una tipologia in uso nei primi decenni del secolo e in seguito abbandonata. Mariotto viene ricordato da Vasari in … Continued
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La tavoletta, decurtata, era parte di un piccolo tabernacolo e doveva completarsi, in alto, con una Vergine annunciata. L’opera è stata ricollegata a un altro elemento di tabernacolo con Bambino e santi conservato nel Museo Bardini di Firenze, anch’esso attribuito al Maestro della Madonna Lazzaroni. Questo anonimo maestro fiorentino, già in passato definito da Offner … Continued
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La tavola centrale del polittico si presenta oggi priva dell’originaria carpenteria, della cuspide, e separata dai pannelli laterali a seguito di un intervento effettuato in epoca imprecisata. Infatti, mentre i pannelli laterali furono collocati nella raccolta museale fin dalla sua apertura, la Madonna col Bambino rimase fino alla metà del secolo scorso in Collegiata, nella … Continued
Empoli Musei
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To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
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Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
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Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to empolimusei@comune.empoli.fi.it